Sujatha Arundathi Meegama, “Accessibility of Buddhist Objects in Secular Spaces”inLondon Buddhist Vihara Centenary Essays Buddhism in the Contemporary World.Edited by Graham Dixon. 76-86. London: London Buddhist Vihara, 2026
Yeshey, Karma, Lan Pu, and Joshua A. Hill, ‘The Emergence and Contemporary Craft of Marouflage Wall Paintings in Bhutan’, inCrafts and Craft Traditions in Tibetan Architecture, Eds. H. Feiglstorfer, C. Blaikie, and Tsering Drongshar. Vienna: OAW Verlag.(2025): 373-393.
Lori Wong and Sujatha Meegama, “Asian Bronze: 4000 Years ofBeauty.”The Burlington Magazine(January 2025): 35-37.
Sujatha Arundathi Meegama,Temples to the Buddha and the Gods:The Transnational DrāviḍaTradition of Architecture in Sri Lanka. Hawai’i: University of Hawai’i Press, 2024.
Sujatha Arundathi Meegama and Lori Wong, “An Interdisciplinary Post Colonial Response to the Statue of Tara from Sri Lanka at the BritishMuseum.” InBridging the Gap 2023 Conference. 3-16. London:Archetype Press, 2024.
Wong, Lori, and SujathaArundathiMeegama.2023. “An interdisciplinary approach: The MA program in Art History and Conservation of Buddhist Heritage at TheCourtauld.” InWorking Towards a Sustainable Past. ICOM-CC 20th Triennial Conference Preprints, Valencia, 18–22 September 2023, edited by J.Bridgland. Paris: International Council of Museums.
Park, David,KuengaWangmo, and Sharon Cather, eds. 2013.Art of Merit: Studies in Buddhist Art and its Conservation. Proceedings of the Buddhist Art Forum 2012.London: Archetype Publications.
